The architectural complex also comprises a monastery and a gatehouse, both completed in 2011 after a design by Renzo Piano, and a nice bell portico designed by Jean Prouvé in 1975. These walls which are without buttresses follow, in plan, the curvilinear forms calculated to provide stability to this rough masonry. The interior walls are white; the ceiling grey; the bench of African wood created by Savina; the communion bench is of cast iron made by the foundries of the Lure. Commissioned by the Association de l'Œuvre Notre-Dame du Haut, the chapel is a simple design with two entrances, a main altar, and three chapels beneath towers. This is possible, because it is supported by concrete columns, not the walls themselves. Notre Dame du Haut Architecture. This historical legacy was woven in different layers into the terrain – from the Romans and sun-worshippers before them, to a cult of the Virgin in the Middle Ages, right through to the modern church and the fight against the German occupation. A thin horizontal gap separates the perimeter walls from the roof, thus providing further natural lighting to the chapel’s interior. It was constructed in the early 1950s. Some have described Ronchamp as the first Post-Modern building, and others as the first building of the movement Expressionist architecture after World War II. Image Courtesy of … Renzo Piano, conceptual sketch, and cross-section of the Notre Dame du Haut expansion; images courtesy of RPBW, The Notre Dame du Haut hilltop with Le Corbusier’s chapel on the right, and Renzo Piano’s expansion on the left; photo © M. Denancé, The village of Ronchamp and the Notre Dame du Haut site are located about 60 miles / 100 kilometers from the French-Swiss border; it’s a one-day trip from Basel, Besançon, Colmar, or Mulhouse, Notre Dame du Haut architectural complex, site plan; 1 Chapel, 2 Pilgrim shelter, 3 Chaplain’s House, 4 Pyramid (all by Le Corbusier), 5 Bell portico (by Jean Prouvé), 6 Gatehouse, 7 Convent of St. Clare (both by Renzo Piano), Le Corbusier, Ronchamp Chapel, view from the east; photo: Wojtek Gurak, Exterior views and details of the Ronchamp Chapel; photos © Inexhibit, Chapel, view from the east; photo © M. Denancé, The south facade of the Ronchamp Chapel under construction; note the tapered triangular-shaped pillars in reinforced concrete which support the roof; photo from Danièle Pauly, “Ronchamp: Lecture d’une architecture”, 1980, Pu de Strasbourg, The south facade of the chapel is “pierced” by a series of tapered windows decorated with drawings and handwriting by Le Corbusier; photo G.Vielle © ADAGP, 2013, Paris, Notre Dame du Haut, general view with Piano’s gatehouse (foreground) and convent (background-left), and Le Corbusier’s chapel (background-right); photo © M. Denancé, Cross-section of the site; image courtesy of Renzo Piano Building Workshop, Gatehouse, (from top to bottom) south facade, ground floor plan, and fireplace; photo © M. Denancé courtesy of Renzo Piano Building Workshop, Convent of St. Clare, (from top to bottom) exterior, the winter garden, the oratory, a nun’s living unit (interior and exterior at night); photos © M. 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